Trilha sonora: Close to the Edge (1972)

Yes

Close to the Edge
Yes

Jon anderson

Steve Howe

[Part I - The Solid Time Of Change]
A seasoned witch could call you from the depths of your disgrace
And rearrange your liver to the solid mental grace
And achieve it all with music that came quickly from afar
Then taste the fruit of man recorded losing all against the hour
And assessing points to nowhere, leading every single one
A dewdrop can exalt us like the music of the Sun
And take away the plain in which we move
And choose the course you're running

Down at the edge, round by the corner
Not right away, not right away
Close to the edge, down by a river
Not right away, not right away

Crossed the line around the changes of the summer
Reaching out to call the color of the sky
Passed around a moment clothed in mornings faster than we see
Getting over all the time I had to worry
Leaving all the changes far from far behind
We relieve the tension only to find out the master's name

Down at the end, round by the corner
Close to the edge, just by a river
Seasons will pass you by
I get up, I get down
Now that it's all over and done
Now that you find, now that you're whole

[Part II - Total Mass Retain]
My eyes convinced, eclipsed with the younger Moon attained with love
It changed as almost strained amidst clear manna from above
I crucified my hate and held the word within my hand
There's you, the time, the logic, or the reasons we don't understand

Sad courage claimed the victims standing still for all to see
As armoured movers took approached to overlook the sea
There since the cord, the license, or the reasons we understood will be

Down at the edge, close by a river
Close to the edge, round by the corner
Close to the end, down by the corner
Down at the edge, round by the river

Sudden call shouldn't take away the startled memory
All in all, the journey takes you all the way
As apart from any reality that you've ever seen and known
Guessing problems only to deceive the mention
Passing paths that climb halfway into the void
As we cross from side to side, we hear the total mass retain

Down at the edge, round by the corner
Close to the end, down by a river
Seasons will pass you by
I get up, I get down

[Part III - I Get Up, I Get Down]
In her white lace, you could clearly see the lady sadly looking
Saying that she'd take the blame
For the crucifixion of her own domain

I get up, I get down
I get up, I get down

Two million people barely satisfy
Two hundred women watch one woman cry, too late
The eyes of honesty can achieve
How many millions do we deceive each day?

I get up, I get down
I get up, I get down

In charge of who is there in charge of me
Do I look on blindly and say I see the way?
The truth is written all along the page
How old will I be before I come of age for you?

I get up, I get down
I get up, I get down
I get up, I get down

[Part IV - Seasons Of Man]
The time between the notes relates the color to the scenes
A constant vogue of triumphs dislocate man, it seems
And space between the focus shape ascend knowledge of love
As song and chance develop time, lost social temp'rance rules above
Ah, ah

Then according to the man who showed his outstretched arm to space
He turned around and pointed, revealing all the human race
I shook my head and smiled a whisper, knowing all about the place
On the hill we viewed the silence of the valley
Called to witness cycles only of the past
And we reach all this with movements in between the said remark

Close to the edge, down by the river
Down at the end, round by the corner
Seasons will pass you by
Now that it's all over and done
Called to the seed, right to the Sun
Now that you find, now that you're whole
Seasons will pass you by

I get up, I get down
I get up, I get down
I get up, I get down
I get up

Trilha sonora: O Aprendiz de Feiticeiro

Paul Dukas

L'apprenti sorcier

Paul Dukas

Paul Abraham Dukas (French: [dykas]; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man, of retiring personality, he was intensely self-critical, and he abandoned and destroyed many of his compositions. His best known work is the orchestral piece The Sorcerer’s Apprentice (L'apprenti sorcier), the fame of which has eclipsed that of his other surviving works. Among these are the opera Ariane et Barbe-bleue, a symphony, two substantial works for solo piano, and a ballet, La Péri.

At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d’Indy and Debussy.

In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at least five French journals. Later in his life he was appointed professor of composition at the Conservatoire de Paris and the École Normale de Musique; his pupils included Maurice Duruflé, Olivier Messiaen, Manuel Ponce and Joaquín Rodrigo.

(..) The symphony was followed by another orchestral work, by far the best known of Dukas's compositions, his scherzo for orchestra, L'apprenti sorcier (The Sorcerer’s Apprentice) (1897), a short piece (lasting for between 10 and 12 minutes in performance) based on Goethe's poem "Der Zauberlehrling ".During Dukas's lifetime The Musical Quarterly commented that the world fame of the work not only overshadowed all other compositions by Dukas, but also eclipsed Goethe's original poem. The popularity of the piece became a matter of irritation to Dukas. In 2011, the Frove Dictionary of  Music and Musicians observed, "The popularity of L'apprenti sorcier and the exhilarating film version of it in Disney's Fantasia possibly hindered a fuller understanding of Dukas, as that single work is far better known than its composer." (..) 

(Wikipedia) https://en.wikipedia.org/wiki/Paul_Dukas

2013-08-11

Vou de táxi

O Dia online 30-07-2013

https://odia.ig.com.br/_conteudo/noticia/rio-de-janeiro/2013-07-30/sergio-cabral-eu-estava-precisando-de-humildade.html

 

Sérgio Cabral: ‘Eu estava precisando de humildade’

Montagem AvebarnaImagem original: Internet

Governador diz que visita do Papa o ‘tocou’ e faz ‘apelo de pai’ para que não façam protestos em frente ao prédio onde mora.

 

(..) Fez promessas: “Meu comportamento será menos unilateral. Vou ouvir os dois lados.” Explicou que mora no Leblon porque seu governo “priorizou” as reformas dos palácios Guanabara e Laranjeiras (residência oficial). Garantiu que sua família não está mais usando os helicópteros oficiais para ir a Mangaratiba e que a Casa Civil está buscando uma forma de normatizar o uso do transporte por ele e o primeiro escalão.

2013-08-01